I’ve also found that you can cheat a little at the beginning of the clip and reduce the volume of that part of the clip by Cmd/Ctrl + clicking on the volume path on the timeline and reducing the volume there a few dBs. Still not perfect, but much, much better. The beauty of this technique is that the effect is applied to the entire track so the analyzing happens just once at the very beginning of the clip. Here is the solution: Go Window>Audio Track Mixer and click on the little tiny arrow near the top, left corner of the panel to drop down the master audio effects for that audio track on your timeline.Ĭlick any one of the open slots for audio effects and choose Noise Reduction>Adaptive Noise Reduction and then use the little knob to adjust each setting as you wish and use the little drop down menu to access each of the settings we talked about above and tweak your Adaptive Noise Reduction. However! This is still a horrible problem when you have lots and lots of clips of an interview or spoken word lined up on your editing timeline because the effect is restarting and re-analyzing the audio every time you have a new clip and therefore you have a new, terrible, two second delay each time. It can be shortened to less than half a second at times. Now, to fix the two-second delay issue, I’ve found that the more I’m able to drag the Signal Threshold up (to at least 10dB) the much shorter the initial delay is for this effect. Avoiding extremes with any slider is usually a good mindset to have while working with this effect. The trick here is to tweak these effects until you get a desirable noise reduction.
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